LIQUID CAPITAL

The Liquid Capital series addresses contemporary anxieties about the durability of identity and self-worth in digital space. The work’s status as synthetic media, representing physical sculptures, complicates the work’s critique of materiality, suggesting that value itself has become unmoored from physical presence—existing instead as pure speculation, equally real whether rendered in bronze or pixels.

Bodies that exist in temporal suspension—logged in eternally, yet anchored by bronze's historical weight—suggest that our digital escapes may themselves become monuments, our virtual selves preserved in server farms and screenshot archives, as permanent and as fluid as any physical form.

The work refuses to moralize about technology or capitalism, instead it presents digital/physical transformation as both symptom and system—a new form of alchemy where attention becomes currency, authenticity becomes commodity, and identity itself trades at volatile rates. The figures document not merely how value moves through these territories, but how the body, enduring like bronze, becomes the final ledger where these transactions are inscribed, accumulated, and ultimately liquidated.