LIQUID CAPITAL

This series of speculative sculptures and installations examines the body as both monument and glitch, exploring what happens when the physical self becomes a carrier for digital consciousness. Each figure, cast entirely in bronze yet rendered in vivid chromatic variations, occupies the liminal space between presence and absence, solidity and liquidity.

LIQUID CAPITAL

The Liquid Capital series addresses contemporary anxieties about the durability of identity and self-worth in digital space. The work’s status as synthetic media, representing physical sculptures, complicates the work’s critique of materiality, suggesting that value itself has become unmoored from physical presence—existing instead as pure speculation, equally real whether rendered in bronze or pixels.

Bodies that exist in temporal suspension—logged in eternally, yet anchored by bronze's historical weight—suggest that our digital escapes may themselves become monuments, our virtual selves as permanent and as fluid as any physical form.

Importantly, the work refuses to moralize about technology or capitalism, instead presenting digital/physical transformation as a form of contemporary currency—evidence of how value moves through new territories while the body endures.